There are few sports or sport-adjacent activities that have nearly as much geek overlap as pro wrestling. Costumed characters with long-running stories and decades of lore—sound like any other medium you know? Pro wrestling is the closest thing to actual superheroes fighting it out on live TV.
The Meatly’s vintage indie horror serial Bendy and the Ink Machine has been fascinating gamers since its first chapter dropped in February of last year. Putting you in the shoes of former cartoonist Henry Stein, the game leads you through the remains of an old-time animation studio. You’re on a quest to “find something” for your former partner, Joey Drew—but what that “something” is isn’t clear until the very end of the final chapter.
Fans of sci-fi and animation are in for a treat when TBS series Final Space launches on VRV this week. The series, created by and starring “Tennessee wonder child” Olan Rogers, is a mix of comedy, drama, and action in space. To get viewers warmed up, I had a chat with Coty Galloway, the voice of Avocato and a long-time friend and collaborator of Rogers’s.
When Sailor Moon first came out in Japan in 1992, it changed anime—specifically magical girl anime—forever. The TV adaptation of Naoko Takeuchi’s manga, itself a spinoff of Codename Sailor V, mashed up the long-running genre with elements of sci-fi, superhero fiction, and the Super Sentai franchise. Where once magical girls mostly used their powers to solve basic problems—and occasionally cause them—the Sailor Guardians set a new standard for them as transforming, monster-fighting superheroes.
Doctor Who is back on the air! Finally, we can stop going crazy waiting for the new season, and instead go back to going crazy waiting for each new episode. Whether you’re right there on the night of or have to log out of social media and wait for your season pass to kick in, you know just how antsy you can get waiting to see what happens next in our favorite show.
In 2018, “creepypasta” is a household term. Internet ghost stories aren’t restricted to the dark corners of obscure message boards anymore—they play out in original video games, YouTube videos, and even on professionally-produced television shows. Despite the vast and various types of creepypasta, all of it is, in some way, an exploration of the hopes and fears of a generation. It’s a way to make sense of the things we deal with in our respective days and ages—in other words, it’s folklore.
It’s been a long time since I’ve come into any piece of entertainment completely unspoiled. Even in the case of shows that deliberately keep a low profile, I’ve usually seen something to judge by. The only way for me to come in completely fresh and unawares is to have never heard of the subject before.
In the case of Birdboy: The Forgotten Children, that’s exactly what happened. For funsies, I decided not to look into it at all before I hit Play. And let me just say, boy, that was a choice. Because Birdboy is a heck of a thing to approach with no forewarning. That said, I’m actually glad I did, because it meant I was bowled over with just how dark the movie was willing to go at every new twist and turn.
Who doesn’t have strange, vaguely off-putting memories of childhood nightmare fuel? You know, those cartoons pitched to youngsters that were full of of imagery and implications sure to terrify you for weeks to come. The shows that were clearly not age-appropriate, and that you can’t believe you sat through now that you look back and see just how disturbing they were.
My first encounter with Napping Princess was through a series of news pieces during its production. AlI I knew at the time was that it was a Kenji Kamiyama film, it involved a parallel dream world, and the trailer had a criminally beautiful cover of The Monkees’ “Daydream Believer” sung by the lead voice actress.
My intention had always been to watch it at some indefinite future point, as what little I saw in clips featured an appealing mix of technology and fantasy. So what could I expect from it? I’m not sure. But I do know that whatever you’re expecting, this movie isn’t it.
Gentle readers, Napping Princess is a car movie.
Every generation is defined in a large part by the cartoons on the air when they were young. For many of us in our 20s and 30s, that consisted of Kids’ WB fare—specifically Animaniacs and its skit-turned-spinoff, Pinky and the Brain. Kids and teens of the 90s can sing their songs from memory, drop quotes, and likely passed high school geography and history thanks to the show.
How does a team of college kids go from getting drunk and reviewing video games to producing an animated series with hardcore fanbases in both the United States and Japan? It sounds like an unobtainable geeky American dream, but it’s the true story of entertainment company Rooster Teeth. From Halo machinima videos to magical girls and mecha shows, let’s take a look at a how a team of six fans became a major studio conquering just about every corner of modern media.
If you’re a 90s kid like me, your after-school viewing was sorted out for you by Kids’ WB: Animaniacs followed by Batman: The Animated Series. And if you got home early enough, maybe you could squeeze in Samurai Pizza Cats.