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alien

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Kane’s Son: Sexual Violence and Symbolism in Alien and Aliens

When Ridley Scott’s 1979 sleeper hit Alien arrived in theaters, it revolutionized special effects and kicked the wheezing horror genre into high gear. While Alien is without question Scott’s best movie, tightly paced and claustrophobic, Swiss painter H. R. Giger’s legendary creature design is what sets it apart from everything that followed it. Aliens, its 1986 James Cameron-helmed—yes, he used to make good movies—sequel, builds on and exaggerates Giger’s work so effectively you’d be hard-pressed to find modern sci-fi unmarked by its slimy fingerprints.