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What The Lost Boys Has to Say About Sex, Fear, and Fantasy

The Lost Boys is a kids’ movie—it’s all about sex. Or let me put that another way—the monsters of kids’ media tend towards a didactic form of moral panic. In American movies of the 80s and 90s, it manifests primarily as a thinly-coded stigma surrounding HIV/AIDS—anti-social violence, infection, disease and gay sex mutually imply each other according to the bizarre and homophobic torsions of the culture industry. That’s especially true for The Lost Boys, a horror-comedy that picks up the Peter Pan mythos and plunks it down in a California of the dilapidated 1980s.